Junior Spesh
OK, so I’m rather late in the day with this little gem. I, like a lot of other people saw it only for the first time on Saturday night thanks to C4s rudetube. How’s that for postmodernism? Yoot make music and video using domestic technologies and post the video on an online social space, it gets pickup by TV show where your researcher heroine watches the full clip on YouTube, and then blogs about it. I’m just a networked knowledge worker swimming in the interweb of streams.
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The song makes me smile, and I think there’s something really endearing about it. For all that has been said by sectors of the UK government and popular media, about young people, street crime, hoodies, knives, gangs etc etc it’s pretty spesh to see a group of young people, well, just being a bit silly really and having a laugh. They’re funny and they’re cool.
Apparently
An estimated 1,700 fried chicken joints, with their white, red and blue regalia, currently line UK high streets, tiny bones scattered over the pavements outside.
You can read all about the creators Red Hot Entertainment in an interview with them here. Thing is I know SFC. I used to go to the one on Hackney road when I lived there. It was always a bit of a treat. Fried chicken and chips is a big thing in the East end. I’m not sure why it’s so popular, but its a massive thing and especially amongst the afrocarribean community. Infact Texas chicken a rival fried chuck joint, use images of a black family and a group of teenage boys wearing hoodies in their marketing . Also according to Mintel the heaviest users of chicken bars are younger, less affluent consumers mainly from the D and C socioeconomic groups. Another comment I found from a Guardian article last year quoted Paul Ricketts a black comic who said
“All black areas have loads of fried chicken outlets. It is a socio-economic thing…”
So I suppose what I’m saying is that the junior spesh video is a representation of culture. In a sense it’s a piece of ethnographic film making. For me Junior spesh provides a neat case study for anyone interested in cultural identity, and or subculture. On the one hand Red Hot Ents are drawing on connotations of mainstream representations of urban youth and street style. Particularly with the genre of the song (grime) and the way they’re dressed -- sweats, grime t-shirts baseballs caps, which one might normally expect to be a reference gang culture. In the UK we’re more used to reading these signifiers as negative representations of youth either as the object of fear or as an under-class. But these guys have really played with signification whilst staying true to themselves, beliefs and values. The result is an uplifting reclaiming of ideology. If hegemony is always on going process and culture a site of resistance, then hurray for Red Hot Ents -- who have won a small battle here as far as I’m concerned.
And god it’s catchy
j j junior spesh junior spesh, one pound and fiddy pence
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